How’s she doing?
And is told, She’s fine,
doing quite well for herself actually.
He said,
That’s good. I never did believe
all those things they used to say.
But he believed them -
he helped create them,
once his children were in bed;
fulfilling bored marriage fantasies
with their submissive, barely a teen, babysitter,
who was confused more than willing,
and yet didn’t quite know
how to say no.
He told his cousin, told his friends
(some wanted in just as badly as him),
yet his wife never seemed to see.
She was off to work, or out with friends,
not realizing or maybe not wanting to
recognize that he only worked late
so the kids would need a sitter,
who ultimately would sit for him.
He would bring her
on father and children outings,
under the guise of helping with the kids.
Yet in the dark of the car,
or in the movie theater, his hand would clasp hers,
or brush across her chest, before moving slowly
up between her legs.
Sometimes they’d smoke,
or drink in his house,
while the children were fast asleep.
His grizzled face would scratch
her soft thighs, and she’d pretend
to be more out of it than she really was;
disengaging from what once felt like flattery,
but mostly now made her feel
like a little girl gone bad who no one
would think much of, if she told.
Years later
her mother has this odd conversation,
and said, I don’t quite know
what he meant by that but you know,
I never really liked it
when you were around him anyway.
He and his wife were just a couple of bums.
such an authentic voice; you rein in melodrama, creating a kind of calm, morose landscape.
ReplyDeletethe ordinariness of tragedy, without fireworks or glamour-- the seeds of people's pitiful, misguided lives.
This is wonderful in a sickening way, and I suggest that the final two lines, the coda as it were, is not a requirement.
the tenses shift, kind of quirky, but I like that. It makes all of this long ago mess seem like merely snatches of captured conversations.
I consider this poem way,way up there among your best.
Innocence lost. At this time, I am lost in the truth of your words.
ReplyDeleteI think you're right about those last two lines. Let the reader think it rather than be told.
ReplyDeletePSM,I meant to say that your poem from earlier today triggered this.
ReplyDeletePamme,
ReplyDeleteThis was simply fantastic. The voice in this is extraordinary! Horror has a greater impact when it is told in matter of fact way.
Truly my favorite of yours so far.
seraph